Created under the direction of Haydn himself after two years of working without rest on composition, La Création was probably the first important work in the history of music written with posterity in mind. It includes the proclamation of humanity to the image of God, a typical conception of the Enlightenment and opposed to that of the Bach Cantatas of the years 1710-1730, which defend the insignificance of man before God.
Carlus Padrissa proposes a balancing reconciliation between Haydn and the DNA, thus creating a link between the infinitely large (the macrocosm and the creation of the world) and the infinitely small (the microcosm and the human body). This is used to create a view over what embellishes the cycle of nature as well as the cycle of life.
Artistic director & set designer
Carlus Padrissa ( La Fura dels Baus)
Director assistant & Stage manager
Director assistant & Choreography
Anna Mestre, Ventura López
Wearable lighting control technology by Protopixel
Tablet networks and Systems
Iglor Soluciones Audiovisuales Avanzadas S.L.
Francisco J. Iglesias (software engineering)
Pedro Lorente Adamuz (software engineering)
Alicia de Manuel Lozano (Multimedia)
Damia Duran (Tour technical)
Set designer assistant
Edurne Hernández Elia
Jordi Velasco (Thinking engineering)
Josep Lluis Moreno
Moreno Metalls ( Aiguaviva, Girona)
Baf General de Catalunya
Production: Insula orchestra
Coproduction: Ludwigsburger Schlossfestspiele, Elbphilharmonie Hamburg, La Fura dels Baus
A balancing reconciliation between Haydn and the DNA.